The Landmark Trust is delighted to announce the public opening of LAND, an exciting collaboration with sculptor Antony Gormley, as part of our 50th anniversary celebrations.
LAND, a commission by the Landmark Trust, comprises five life-size standing sculptures by Antony Gormley cast in iron and installed at five spectacular Landmark sites personally selected by the artist. Each sculpture has been specially designed and created for each building and its surroundings.
The five life-size vertical body-forms add a point of focus to each location, each conceived in relation to their sitesbeing thoughtful to their setting, encouraging visitors to contemplate the specificengage with elemental conditions of each site, and in the case of the four coastal locations,and the different qualities of the North Sea, the English Channel, the Kilbrannan Sound, and the Bristol Channel and the open horizon between sea and sky.the broad coastal horizon. The fifth location is a quiet site in a Warwickshire village, where the sculpture stands looking into the depths of the man-made locklooking reflectively into the stillness of the man-made lock, in contrast to the wild, ruggedness of the coastal sites.
On Lundy, the sculpture, entitled DAZE IV, surveys the sea above the Devil's Kiln.
Antony Gormley, said:
"I am excited about making sculpture that stands in the wind, the rain and snow, day and night. The sculptures will be like standing stones: markers in space and time, linking with specific places and their histories; catalysts for reflection.
LAND invites us to think about our identity and the mindset of a nation surrounded by water, and how that affects the way we make our choices. Water both divides from and connects us to the rest of the world. Water isolates us and makes us self-reliant, but with the invitation of the horizon offers the chance to overcome our limitations and engage with the future. More generally, these sites with their industrially made body-forms provide a good place to reassess the human project.
There is an excitement - and something almost magical - about making a sculpture and then placing it in the elemental, living out here, facing the wind, the rain and snow, in night and day. The sculpture will be like a standing stone, a marker in space and time, linking with a specific place and its history, an actual catalyst for retrospection.
LAND invites us to contemplate, and to think about our identity and the psychology of our nation that lives surrounded and connected by water, and how that affects the way we make our choices.Water both divides and connects us to the rest of the world. Water isolates us and makes us self-reliant but with the invitation of the horizon offers the chance to overcome our limitations and engage with the future. These body-forms are a good place to begin to reassess the human project.
LAND is a chance to make something of beauty, but also to make something that makes people think."
LAND shares many of the themes found in Landmark's work: an engagement with landscape and the habitats we create, and how at a human level we resonate with them. Landmark’s buildings are often in remote locations, some of the buildings – notably towers and follies - were intentionally built to stand apart, some are positioned close to the coastline, making them a landmark or point from which to look out at the world. It is this distance in time and isolation and people's place within it that is celebrated in LAND, and which embodies Landmark's work over the past five decades.
Caroline Stanford, Historian & Head of Engagement, the Landmark Trust, said:
"For our 50thanniversary, we wanted to do something that everyone can enjoy, not only for those that stay in our buildings but the local communities in whose landscape the local buildings fit. We are delighted that one of the greatest artists of our generation, Antony Gormley has agreed to collaborate with us on LAND, an inspirational statement and celebration of the Landmark Trust at 50."